How to use: play each track and listen to the end — each story and its laugh should finish inside the track. Craig's set is long-form storytelling, so these split on where one story ends and the next begins. Flag any that land mid-story or add a better title. Notes save automatically — hit Copy notes or Download notes when done and send back to JR.
Release passes — indicative
Legal + commercial · On The Box, Bloomsbury
Two editions off this one cut — Uncut (the full set) and Commercial (UK + radio-safe). Split at release, not in the edit. both · check · Uncut only · 📻 radio-offerable
15 clear
0 check
0 Uncut-only
0 radio-safe
| # | Track | Legal | Edition | Radio | Notes |
|---|---|---|---|---|---|
| 01 | Moose Fucker | Commercial + Uncut | · | no material risk — bestiality gag is clearly comedic/absurdist audience banter, no protected-characteristic hatred, no obscenity threshold; strong language only · verify no walk-on/MC-intro music bleeds under the 01:08 open before clearing; DSP explicit tag; sustained 'fuck' + sexual gag = not radio | |
| 02 | Canadians & the Cold | Commercial + Uncut | · | no material risk — warm national-stereotype material (Canada/cold), affectionate not hateful; strong language only · clean (no music); carries a moose-sex callback + repeated strong language, DSP explicit only | |
| 03 | The Stolen Motorbike | Commercial + Uncut | · | no material risk — affectionate Scottish-accent storytelling, no incitement to hatred; strong language only · clean; light-to-moderate strong language throughout, Ofcom-strict so not as-is | |
| 04 | The Scottish Bakery (‘Paul’) | Commercial + Uncut | · | no material risk — comedic Scottish-vernacular routine, banter not hatred; strong language only · clean; 'Paul'/fuckface bit plus general profanity, DSP explicit tag | |
| 05 | The Wishing Heart | Commercial + Uncut | · | no material risk — travel/tourist anecdote; strong language only · clean; heavy 'fucking' cluster, not radio as-is | |
| 06 | Saved From a Fight by a Fight | Commercial + Uncut | · | no material risk — described violence is comedic anecdote about Scots, affectionate stereotype not incitement to hatred against a group; strong language only · clean; comic-violence + headbutt gags + profanity, DSP explicit only | |
| 07 | Mushrooms & the Boat Thief | Commercial + Uncut | · | no material risk — recounts personal recreational drug use (magic mushrooms), no supply/incitement, not illegal-content; strong language only · clean; drug-use content + profanity — broadcasters cautious on drug glorification, DSP explicit fine | |
| 08 | The Airport Baileys | Commercial + Uncut | · | no material risk — drinking anecdote; passing 'Muslim country' line is descriptive of the setting, not mocking or stirring religious hatred; strong language only · clean; alcohol theme + profanity, DSP explicit tag | |
| 09 | Brussels: The Mugging & the Vegetables | Commercial + Uncut | · | no material risk — comic-violence/mugging anecdote plus a graphic self-defence/rapist aside; adult themes alone are GREEN, no protected-characteristic hatred, no obscenity threshold · clean; graphic violence + rape-law aside + heavy profanity, firmly DSP-explicit only | |
| 10 | The Halloween Chainsaw | Commercial + Uncut | · | no material risk — horror-prank anecdote, no real-world incitement; strong language only · clean; comic-scare/violence + profanity, DSP explicit tag | |
| 11 | Saying Yes to the Mountain | Commercial + Uncut | · | no material risk — reflective setup segment; strong language only · clean; lighter but still contains 'fucking', not radio as-is under Ofcom | |
| 12 | Mount McKinley | Commercial + Uncut | · | no material risk — mountaineering anecdote, 'nearly a murder' is figurative; strong language only · clean; moderate profanity, DSP explicit tag | |
| 13 | The Tent on the Mountain | Commercial + Uncut | · | no material risk — explicit adult masturbation routine; graphic sexual content involving only the consenting adult performer, no children, no obscenity threshold — adult sexual theme alone is GREEN · graphic sexual content — DSP explicit only, absolutely not radio/broadcast; a natural single/clip cut point to avoid | |
| 14 | The Man Who Died | Commercial + Uncut | · | no material risk — dark payoff (a fellow climber's death), handled reflectively/warmly, no illegal content; mild strong language · clean; dark-theme reveal + occasional profanity, DSP explicit tag | |
| 15 | Closer & Thanks | Commercial + Uncut | · | no material risk — warm outro/thanks; mild strong language only · clean outro (join_db -180 = trailing silence, trim tail); single 'fucking' so needs a light edit for radio |
Indicative only. Legal is a first-pass risk read for planning — Albert formally ratifies before any release. "Uncut only" = leave off the Commercial/UK edition, keep for the Uncut (US) edition.